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A brave and talkative wine merchant, Eugène Barbentin drives his son Pierrot out of the family home, because he has given birth to his girlfriend. His wife then reveals to him that he is not Pierrot's father and she flees with her lover. Abandoned, Eugene will be saved by his mother who will restore the situation with energy and determination.

“Describe a lost film by Lionel Soukaz; it was called La Vérité nue. And to do so, evoke the figure of the filmmaker, who passed away this year.” 　　Made after Soukaz’s death, this film, almost without images, is an elegy and a testimony. In it, Xavier Baert meditates on Soukaz’s cinema, on their relationship, and on the survival capacity of images: how to describe what has been lost.

Samuel goes to Nice to pass the exam of the School of Fine Arts. He is accompanied by Nordine, uncultivated in art who takes some holidays.

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A goofy-sincere romcom with an indie edge, GÜLE-GÜLE follows two beautiful people, seemingly strangers, who can’t escape their incredibly annoying partners during a Korean group tour of historic Turkey. Jeong-wha is all but babysitting her perpetually drunk (ex?) husband, and Dae-sik has to humor his supervisor’s juvenile power games. Travel is supposed to be a respite from everyday life, but these two find themselves stuck with the parts of home they most want to escape.